选集列表
剧情简介
A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.
观众心声
群像戏特别精彩，每个配角都立体鲜活。
虽然有小瑕疵，但整体诚意满满值得支持。
这就是我心目中最完美的夏日消暑神作。
编剧脑洞大开，设定既新奇又合情合理。
潘礼德拍的的《一切安好2022》，从剧情风格到配色配音我本人并不太喜欢，但不得不说，会抄也是一种本事，《一切安好2022》至少比某些天马行空胡乱自创影楼装服饰满天飞的剧要好的多。