In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know ...
非典型的帕尔马
几段黑白摄像穿插在整个喜剧式的情节里,讽刺又颠覆。帕尔玛像个愤青般通过德尼罗的角色大肆宣泄,纪录片的手法令人印象深刻~
早期帕尔玛还没有学那么多希区柯克,却完美展现了自己的窥视欲。其文化品位展露无遗。意识概念先于影像,还算有趣。
德帕尔玛母题的最原始状态,没有任何冗余的修饰
德尼罗为出租车司机预热+笑死人的黑人运动反讽+神来之笔的结尾
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