In the film, Klopfenstein portrays a metaphorical renovation of the burned-down church of his past in and with cinema. As tools, he merely has his computer and files of his own films, as well as masses of faces long gone and places razed from memory. One drifts deliciously with Klopfenstein through a super-edit of his own oeuvre, removed from established modes of this type of f...
既有娱乐性又有深度,平衡得刚刚好。
结局开放式处理,留给观众无限遐想空间。
三观很正,传递的能量积极向上。
二刷时带着已知结局看,反而更有味道。
导演克莱门斯·克洛普芬施泰因的叙事手法很新颖,打破传统套路。
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