Few artist portraits give us the privilege of getting as close to the painter as if we had free access to his studio. Over a period of three years, Pepe Danquart got to accompany the painter Daniel Richter, watching him paint, negotiate with his gallerist, talk to his publisher and joke with fellow artist Jonathan Meese. Danquart interviews collectors, attends auctions and even...
片子本身中规中矩,但是Daniel Richter这个人很有趣,也是我最喜欢的当代艺术家之一。 在慕尼黑的Isabella studio看的,这是一家六七十年代的影院,看着像闻着也像,氛围很棒。
虽然有小瑕疵,但整体诚意满满值得支持。
群像戏特别精彩,每个配角都立体鲜活。
编剧脑洞大开,设定既新奇又合情合理。
佩波·丹科瓦特拍的的《丹尼尔·里希特 Daniel Richter》,从剧情风格到配色配音我本人并不太喜欢,但不得不说,会抄也是一种本事,《丹尼尔·里希特 Daniel Richter》至少比某些天马行空胡乱自创影楼装服饰满天飞的剧要好的多。
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