During 1960-90s, several theaters and public spaces in Seoul and other cities, such as Pagoda theater, Keukdong theater, and Seongdong theater, had been appropriated as the crucial ‘cruising spot’ by male sexual minorities. Now the main stage of cruising has moved from the physical spaces to the virtual fields. It seems there is no spatial validity as the Cruising Spot any long...
4.3,片尾曲太逗了,looping~
台词句句扎心,忍不住反复品味。
代入感超强,感觉自己就在故事现场。
全员演技爆发,尤其是那场对峙戏太绝了。
情绪渲染力极强,全程心都被揪着。
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