A hybrid work, Ana Elena Tejera’s portrait of her grandmother utilizes archival images, re-enactment and “biographical performance” to exorcise painful personal experience, family secrets, and Panamanian military dictatorship in the 1980s a history felt “through the skin.” Grandmother recounts how her husband returned from military training in Israel, fundamentally altered. “W...
72/100 #LincolnCenterND/NF#2
国家历史投射至家庭,日常被腐蚀,招魂术/安魂曲
投影训练片段
Berlinale 71# 42
[new directors new films 2021]
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