85分钟
Audrius Mickevičius puts the horribly disfigured face of his murdered brother at the start of his film. He’s interested in the question of how someone atones for such an act. With regard to this particular crime one could say: far too short, because the murderer is released after only five years on the grounds that he proved himself to be an exemplary prisoner. Mickevičius does...
广州节选片Mark,影片开始就给出了Motivation,导演自己失去亲人的亲身经历让他关注到了这群被羁押在监狱的人的日常生活。在拍摄中常常出现采访现场等的“上帝视角”,在采访画面和环境中切换,很有新鲜和抽离感。片中主要人物们对于生活的不放弃的态度,似乎也给人们机会甩掉之前对于犯人们的刻板印象。影片中婚礼和互通信件的桥段让人感受到影片主创们尝试传达的温存。影片动机充分,表达深沉温柔,在北欧的严寒之中,还能带给观众暖意。
3.5 不知是不是导演去世的缘故,从个人视角过度到导演视角十分仓促
结局处理得干净利落,没有强行圆满。
服化道极其考究,还原度让人惊叹。
特效场面震撼,绝对是视觉上的饕餮盛宴。
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