97分钟
For her first individual directorial work after AFSPORET, Bodil Ipsen shifted genre from film noir to satirical comedy, although serious, socially critical undertones can be made out here too, with her talent for depicting mysterious, ambivalent situations continuing unabated. One day, an unknown man in top hat and tails turns up on the main square of a city wanting to make an ...
2K DCP@ Filmmuseum München(基本上没修复)。Harder有点像好多好莱坞screwball comedy里的老板形象(比如Walter Connolly);能看出作为女性导演的一些细腻的笔触,就是几个跳轴略奇怪;恶搞精神分析的角度还是挺有意思的;完全看不出纳粹占领
既有娱乐性又有深度,平衡得刚刚好。
结局开放式处理,留给观众无限遐想空间。
三观很正,传递的能量积极向上。
二刷时带着已知结局看,反而更有味道。
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