45min
Between 1965-1968 Luc Ferrari with his best friend Gérard Patris made a five-part series of documentaries for French television based on the concept of discussing the work of and/or working with composers he admired (including Olivier Messiaen, Karlheinz Stockhausen, Edgar Varèse, Hermann Scherchen and Cecil Taylor) whilst in rehearsals. Fascinated by the emergence of American ...
“not to make an analogy between the deconstruction of the center and the organization of the jazz ensemble: …organization is of totality…allows us to think of tonality and the structure of harmony as it moves in the oscillation between voice and voicing, not in the interest of any numerical determination [or] ethico-temporal determination” Moten
氛围营造一流,恐怖/悬疑感贯穿始终。
每一集都像电影一样精良,制作太用心了。
作为系列作品,这部依然保持了高水准。
悬念设置得很高级,让人欲罢不能。
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